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Words near each other
・ Clos des Lambrays
・ Clos du Doubs
・ Clos Du Val Winery
・ Clos Fourtet
・ Clos Lucé
・ Clos Mirabel Manor
・ Clos Mogador
・ Clos network
・ Clos Payrol
・ Clos Saint-Denis
・ Clos Saint-Jacques
・ Clos-Fontaine
・ Close
・ Close (1817 cricketer)
・ Close (album)
Close (Sean Bonniwell album)
・ Close (Sub Focus song)
・ Close (surname)
・ Close (system call)
・ Close (to the Edit)
・ Close (We Stroke the Flames)
・ Close Action
・ Close air support
・ Close and open harmony
・ Close Another Door
・ Close as You Get
・ Close At Hand
・ Close back rounded vowel
・ Close back unrounded vowel
・ Close Brothers Group


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Close (Sean Bonniwell album) : ウィキペディア英語版
Close (Sean Bonniwell album)

''Close'' is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who formerly was the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records (''see'' 1969 in music).〔(【引用サイトリンク】title=The Bonniwell Music Machine: Bottom of the Soul )〕 It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, ''Close'' was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.〔〔(【引用サイトリンク】title=''Close'' )
==History==

Recording sessions for the album began in mid-1969, and took place in Capitol Recording Studios in Los Angeles, with former guitarist of Eric Burdon and the Animals, Vic Briggs, producing and Paul Buff engineering. Sean Bonniwell was occupied with selling the rights to his former band, The Music Machine, to get out of his recording contract with Warner Bros. Records in the early part of 1969 and, consequently, there was a lack of properly arranged new material for the album. Bonniwell's departure was marked by the limitations to song selections and managerial conflicts. Through a producer from his previous recording company, Bonniwell was signed to Capitol Records under the assertion he was given total control of the album's output. As a result, he was given time to improvise and arrange in the studio, with Briggs playing a pivotal role in enabling Bonniwell to complete the recording sessions under his own terms. Briggs was also instrumental in arranging the orchestrations that complimented much of Bonniwell's lyrical content. The project's only credited songwriter, Bonniwell, recalled the importance of Briggs's contributions to ''Close'' during an interview with music historian, Peter Sjoblom: "Vic was a God-send; he insisted I sing and play the songs live for him, two or three at a time, in the late afternoon, near dusk, at his hillside cottage in the Canyon. Basically, he took it from there. As we progressed so did our collaboration... When the basic tracks were satisfactory he added the orchestration: To say we were on the same page is an understatement."〔 The two songs, "Where Am I To Go" and "Something To Be", were the only exceptions as they were prearranged by Bonniwell with session musicians during his time with The Music Machine.〔(【引用サイトリンク】year=2000 )
Among the tracks that were recorded for the album were the Bonniwell-penned compositions "She Is" and "Black Snow", which were previously recorded by The Music Machine, but subsequently unreleased at the time for their somber contrast to the band's hard-edge sound. "Black Snow" saw an appearance among others of the band's rarities on the 2000 album ''Ignition''.〔(【引用サイトリンク】title=''Ignition'' )〕 Indeed, Bonniwell moved away from the gritty psychedelic rock experimentation, in the group in favor of melancholy folk rock songs, reminiscent of his time as a folk musician, and influenced by lounge music, bossa nova, and flamenco. Richie Unterberger, writing for the Allmusic website, described the album as "...quite subdued, orchestrated singer/songwriter pop, verging on easy listening at times in its arrangements. The gravel-growl that Bonniwell employed for the likes of "Talk Talk" was totally absent, as he concentrated solely on the sweet, delicate, crooning aspects of his voice." The tracks "Who Remembers" and "Temporary Knife" featured contributions from voice artist Sharon Hicks, who possessed uniquely high vocals.〔
''Close'' was released on August 4, 1969, but its distribution suffered from both only being issued to California and lack of promotion. Nonetheless, it successfully expanded Bonniwell's musical prowess, and displayed his versatility as a vocalist. However, feeling disillusioned with the music industry, Bonniwell took a long hiatus from recording, and lived a nomadic lifestyle, or as Bonniwell said, "my transcendentalized western guru period", which made ''Close'' his last album for the next 20 years.〔(【引用サイトリンク】title=Sean Bonniwell dies at 71; lead singer of the Music Machine )〕 Although it, and its single "What Am I To Do", failed to chart and had gone out of print by the early 1970s, the album's reputation has grown over the years. By the mid-eighties, a revival of interest in Bonniwell's music with The Music Machine had begun, and accordingly ''Close'' was met with intrigue. Finally, in 2000 the album was first reissued by Collectables Records, and saw another rerelease by Real Gone Records in 2012.〔〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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